SUBMISSIONS CLOSE 2nd MARCH 2020
Hello.
The Women’s Prize for Playwriting is an open invitation to all writers who identify as female in the UK and Ireland to create vivid, exciting, and brave new work for the stage.
The aim of the Prize is to celebrate and support women playwrights and to discover the best new work from writers at all levels of experience. We are interested in plays that rejoice in the depth and range of your imagination, that feast on dramatic possibility and are ambitious on all scales and subjects. We’ve designed the criteria of the Prize to allow you to write exactly the play you want, unhampered by restrictions or limitations.
Whoever you are and however much or little you have written in the past, the team at The Women’s Prize for Playwriting wants to read your work. Good luck!
Dates
Submissions open
Monday 11 November 2019
We're ready and waiting in the wings.
Also incoming Director of LAMDA
Celebrating and inspiring
women playwrights,
in the UK and Ireland
The Women’s Prize for Playwriting was founded in 2019 by a group of people passionate about celebrating and supporting plays written by women, and dedicated to increasing the number of these plays being presented on major stages in the UK and Ireland.
Ellie is Founder and Director at The Women's Prize for Playwriting and Executive Producer at EKP
Katie is Co-Artistic Director at The Women's Prize for Playwriting and Joint Artistic Director at Paines Plough
Gabrielle is Producer at The Women's Prize for Playwriting, Producer at Theatre503, and Associate Producer at EKP
Charlotte is Co-Artistic Director at The Women's Prize for Playwriting and Joint Artistic Director at Paines Plough
”At this juncture in history it is of paramount importance that women support other talented women to excel and I hope this prize will do just that. For everyone's sake we need to level the playing field. And I hope that whomever is the first recipient of this award will be given the confidence and the opportunity to go on to great things. There should be no turning back.
Mel KenyonChair of the Judges